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Somebody pinch me!’” “Closer To Home (I’m Your Captain)” from ‘Closer To Home’ (1970)
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You know, we’re making a record, so I was like, ‘Wow, it’s really happening. What’s next?’ Listening back to it was thrilling. I remember Terry Knight heard us track ‘Heartbreaker’ one time, and he said, ‘Okay, that’s done. “I used my Musicraft Messenger guitar and my West Fillmore amplifier, and I just ripped. Of course, the whole first album was done in three days – recorded and mixed. By the time we got in the studio, I could’ve played it in my sleep. “I played it with Grand Funk pretty much the same way as I did with the Bossmen. It wasn’t so much that I was a great musician it was because I was going after the audience. We’d play it live, and there’d be the breakdown section where I do a guitar solo. In fact, we did it in the Bossmen for the last six months that I was with them. I had it in my back pocket for a few years before Grand Funk. Then I started hearing everything – the drums, the bass, how I should play guitar. I just started playing the chords, played ’em over and over, and soon enough the melody came to me. “This was my first attempt at songwriting.
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I could never read music, but I knew how to put melodies across in my solos, and I could get the audience going.” “When I played with Don and Mel, I just got into this frame of mind, and I was cookin’. “My guitar playing has always been based on pure emotion,” he says. I’m 72 now, so I’ve got to work the muscles a little more than when I was a young guy. How do you explain it?”įarner is similarly unanalytical when it comes to his exuberant approach to electric guitar playing, a distinctive blend of robust rhythms, widescreen leads and irrepressible jams that ignited car radios, arenas and stadiums throughout the ’70s. I’d pick up my guitar, and at first I had nothing, but before long I’d have a complete song. But it was incredible how I could get in this state of mind. “I just needed the confidence that I could do it, and once I had it, I couldn’t stop,” he says. That one night unlocked a door for Farner, and it led to a cavalcade of hard-charging, soulful classics that he would go on to write for Grand Funk Railroad from the late ’60s and well into the next decade.